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Boneheads Musicians Rants Recording

Bonehead keyboard player

This “project” I’m working on is a comedy of errors. The keyboard player has really gotten under my skin. There’s a guy like him in most bands. He’s the one who is very agreeable yet a total lazy flake. He fakes his way through everything and puts out a half assed effort.

His assignment was to have his parts recorded and bounced down and ready to submit so we can start mixing the next songs. He supposedly worked for over a month on these tracks. I get a flash drive with his audio files on it which only contains the aliases (shortcuts for windows). He never copied the actual files to the drive, just an icon which points to the files resident on his hard drive.

Naturally he didn’t notice that these audio files, which would take several if not dozens of minutes to copy, copied in a split second. He also didn’t bother to check the drive and see if the files were there. Or did he simply click the alias which opened his internal hard drive and he didn’t know it?

Problem

Ok, so no big deal. Just get the files off his main hard drive which the aliases are referring to…right? Uh, of course not. The problem now is that the files those aliases pointed to are probably in a pawn shop somewhere, as his laptop was stolen. Yes, this guy worked for a whole month on something and didn’t back it up.

I’d laugh at this guy because he put a whole month into something and because of his own stupidity and half-assed way of doing things, he has to work another month. But I’m not laughing because it effects me. This means another fucking month of waiting around for him to get his shit done. Another month of my time. Another month of dealing with this project which should have been done months ago.

I’m tempted to pull the plug and just eject on these unprofessional boneheads.

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Boneheads Musicians Rants Recording

Not feelin’ the love for this line of work anymore

This has been a very rough summer. In fact, this summer has changed me. I’m one grouchy mother fucker now and I’ve never been like that in my entire life. I don’t like being this way. The other day I almost assaulted my landlord. I got in a “heated” discussion with him about broken shit that has been bugging me and told him I was leaving. My grouchy attitude forced me to move which sucks, even though my new place is way better.

This summer I took on a project and made some very stupid and negligent choices in doing so. The main one being that I settled on a flat rate. Big mistake. Little did I know that this project would be several months long and that I’d be in the absolute hell of listening to a horrid vocalist who is so sharp he makes Ginsu carving knives look dull. Seriously. This guy sings entire freakin’ songs sharp and he doesn’t even know it. “Dude you’re sharp. Dude you’re sharp. Dude you’re sharp.” Working with this guy is like biting into rotten lemons all day. Then after spending hours on sharp vocals and doing hundreds (I mean hundreds) of takes per song, I have to go in with a pitch correcting software and fix every goddamn note. What a waste of my time, spending dozens of hours fixing some hack’s vocal tracks rather than spending time with my kids, my woman, golfing or just picking the lint out of my ass.

I can barely look these guys in the eye now for blowing my whole fucking summer and wasting my time. Damn the freakin’ keyboard player is so clueless I can’t begin to write about it. After being told his tracks would be all pre-done and ready to lay down I find out they’re not. Then, rather than doing so on his own, says he’d rather have me there to lay them down. No thought about my time, my gas or whatever. I drew the line there and said now way. It would have taken days and days to do that work he was supposed to have done previously.

That flat rate is looking pretty f’n small now since it has been spread out over months and months and months. Did I mention I had to drive 45 minutes each way for 2 months just to go listen to out of tune vocals? Bonus. Good thing gas hit $4.00/gallon right when I started this project. Perfect timing. Might as well take that flat fee and pour it down the fucking gas tank and dump what’s left into auto maintenance and repairs…

My personal life and other business ventures have suffered severely as a result of doing this gig and I’m just plain irritable as hell.

Bran for breakfast?

Now, thank God, we’re mixing. The problem is that we’re doing it at my personal residence. Now the drummer needs to come in and tell me to make his playing and his kit sound like someone other than his own. This guy is a fiber nut and eats about 1704% of his daily allowance of fiber. So he has to take a shit every 24 seconds. Freakin’ wonderful. I’ve got to go to coscto now and buy 120 rolls of toilet paper just because this bran/shit addict is invading my private space. And I wonder. How is shitting 63 times a day enjoyable?

I’m done dealing with musicians. I really mean it. I used to like engineering but I don’t anymore. It isn’t fun. It is grueling, monotonous, frustrating and insanely infuriating when dealing with amateurs. My ears have started ringing too and that has me worried.

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Musicians Recording

Day 1 – big technimetal double album

It was a loooong day, 12 hours or so. We were going to start the downbeat at noon, but didn’t really get started till quite a while later. There were still tweaks to do on the levels as expected, but the drummer wasn’t tuned. He was going to get there early and be ready by noon but he wasn’t. That increased the stress level of his band mates because they have a set budget and amount of time and they can’t go over it.

Rule #1 of recording is that it always takes longer than you expect.

Crappy drummer

The drummer is fast as hell. He’s got some definite speed and skills. The reason I say crappy drummer, is that this guy is way into eating about 4075% more fiber per day than the human body is designed to take. Therefore this guy has to go take a shit seemingly between every take. At about $100/hour for this studio those are some expensive logs.

Ear fatigue

I’ve really got to take it easy with the volume. I haven’t done sessions like this for a few years and now that I’m a bit “older” I can’t take the loud levels for 12 straight hours like I used to. I need to have all these guys on headphones and keep the control room levels down. That way they can have it as loud as they want without hurting my ears any more than the decades of recording I’ve done already have.

The protools 7.4 rig started to gag later in the evening as well, leading me to the following post after this, why protools sucks #4, #5 and possibly #6.

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Musicians Random Rants Recording Why ProTools Sucks

Drummer needs a vacuum

Tonight I just completed the setup for the big double album technical rock band 1.5 month project. Now I know it is likely that some of these band members I’m working with will be reading my journals here, so be warned not to take any of it too deeply. It’s all in fun… maybe.

The setup went fairly well with a few problems due to the drummer.

First the drummer was late because his dog was “pissing diarrhea blood out it’s ass” and his wife was puking because she was pregnant and couldn’t smell it. Man I couldn’t imagine the hell that guy is going through (not with the dog, with having a pregnant wife).

2nd the drummer’s setup is enormous. He must have literally 20 cymbals. Don’t forget the rototoms and octobans. His kit is so tightly set up, there’s almost nowhere to get the mics into place. Before he could set his kit up he had to vacuum his carpet (see picture)! Believe it or not, that’s happened more times than I can count. Anal drummers… Can’t live with them, can’t kill them.

I haven’t worked in this studio for a few months. It was an experience for me trying to remember how the studio’s patching from room to room was setup, along with remembering the basic functions of the Euphonix console. The main owner/engineer was there to help, which was very good.

One of the tasks before we can record was to figure out how to get all the keyboard tracks into ProTools (or ProDrools as I prefer to call it). The keyboard player, bless his heart, doesn’t know much about what he’s doing. He didn’t even know what or if he had an audio interface with his Apple Logic Express system. He didn’t.

When importing the midi files, the individual takes or chunks were all broken up into separate tracks by ProDrools. I figured that I had to use a merge function in logic to merge each track individually first, before importing into PT. I’m not sure if Cubase is the same, but maybe that’s an entry #3 for my section called “why protools sucks.”

The setup took almost 6 hours, protools issues and drummers included. Tomorrow we start at high noon with the tracking of drums and bass. Noon is pretty late for me. The guys in the band have been complaining a bit about the schedule and not having enough days booked in May/June, yet they want to start at noon. If we started at 9am each day instead of noon, we’d gain one of those precious days back every three…

Off to bed.

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Musicians Recording

Big project starts tomorrow

I’m engineering a big double album for a technical rock band. No doubt I’ll have some rants about it which I’ll post here. My schedule is going to be hectic.

My first “concern” came when I consulted with the keyboard player. He didn’t know what kind of “files” he had or much of anything. I asked him a few questions about the tracks he’s prepared in advance but all his answers were “I don’t know.” All he knew was that he had a Kurtzweil keyboard and just bought Apple’s Logic software. I get the joy of figuring out how to either export midi from Logic into ProTools and/or syncing ProTools with Logic. The catch is, the whole project will end up in Cubase 4.0 so any of that original conversion will be converted again. Converting the converted conversion…

I haven’t done a ton of OMFing but I will have after this. I just hope my OMFing doesn’t turn into OMFGing.